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Ni news, ni potins, ni infos ni même scoop...
[ Bandes Dessinées : auteurs, séries, et toutes ces sortes de choses... ]
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| | | | | Braquelaire : | | 8% des lecteurs de BD choisissent leurs bouquins en fonction des sites web ou forums consacrés à ce sujet ! Intéressant hein? :) |
Et donc, ayant lu ceci
| NDZ : |  Alors je ne sais pas comment organiser ce retour de lecture... Forcément, pour un adulte, on est curieux de ce que peut donner le grand Art dans le registre "enfance". Et j'ai lu, mais je n'ai pas percuté. Lecture fade, sans intérêt. Et puis je l'ai lu à mon fils de 4 ans. Une lecture intense. Toute dans un mélange de fascination / frayeur incontrôlable. Un effet remarquable. Pour finir, probablement un discours tout en nuance sur la peur, la suggestion et l'imagination. |
je l'ai acheté et lu à mon neveu de 4 ans (pile dans le conseil NDZien, dis donc!), qui n'a pas eu peur, mais il faut dire qu'il y avait aussi son frère de 6 ans, ce qui a du créer une ambiance rassurante.Tres bonne lecture tout de même, ils en ont spontanément fait un compte rendu (peut être pas le terme exact) à leur père.
La stupeur a été pour moi, par contre. J'ai acheté une édition bilingue (anglais et quand on retourne le livre, français ), et les dessins différent dans les deux versions, légèrement édulcorés dans la VF
ici et la
Mystère profond... |
| | | | | Poïvet était un excellent dessinateur (comprend qui sait :) |
| | | | Extrait d'un témoignage de William Gaines , éditeur de EC comics et de MAD :
With the publication of Dr. Fredric Wertham's Seduction of the Innocent, comic books in the Gaines style drew the attention of the U.S. Congress. Gaines' testimony before the Senate Subcommittee on Juvenile Delinquency in 1954 achieved notoriety for his unapologetic, matter-of-fact tone, and Gaines became a boogeyman for those wishing to censor the product. One exchange became particularly infamous:
Chief Counsel Herbert Beaser: Let me get the limits as far as what you put into your magazine. Is the sole test of what you would put into your magazine whether it sells? Is there any limit you can think of that you would not put in a magazine because you thought a child should not see or read about it?
Bill Gaines: No, I wouldn't say that there is any limit for the reason you outlined. My only limits are the bounds of good taste, what I consider good taste.
Beaser: Then you think a child cannot in any way, in any way, shape, or manner, be hurt by anything that a child reads or sees?
Gaines: I don't believe so.
Beaser: There would be no limit actually to what you put in the magazines?
Gaines: Only within the bounds of good taste.
Beaser: Your own good taste and saleability?
Gaines: Yes.
Senator Estes Kefauver: Here is your May 22 issue. [Kefauver is mistakenly referring to Crime Suspenstories No. 22, cover date May] This seems to be a man with a bloody axe holding a woman's head up which has been severed from her body. Do you think that is in good taste?
Gaines: Yes sir, I do, for the cover of a horror comic. A cover in bad taste, for example, might be defined as holding the head a little higher so that the neck could be seen dripping blood from it, and moving the body over a little further so that the neck of the body could be seen to be bloody.
Kefauver: You have blood coming out of her mouth.
Gaines: A little.
What none of the senators knew was that Gaines had already cleaned up the cover of this issue. Artist Johnny Craig's first draft included those very elements which Gaines had said were in "bad taste" and had him clean it up before publication.
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| | | | | Tout est dans le titre, questions et remarques diverses. |
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